Isis Verween
MOTION DESIGNER AND VIDEO EDITING
Motion design is a flexible and creative technique that can be applied across a wide range of formats and industries. It is a powerful tool for visual communication, allowing brands and companies to convey their message in a clear and engaging way. Video editing complements this process by refining the narrative flow, enhancing rhythm, and ensuring a polished final result. Together, they create dynamic and immersive visual stories that resonate with audiences
My work covers different stages of video production and post-production, from editing and motion graphics to color correction, sound treatment, compositing, visual effects, and animation. I work primarily with Adobe Premiere Pro, After Effects, Photoshop, Illustrator, and Audition, integrating different tools according to each project’s needs. I also incorporate AI-powered tools into my workflow for video generation, visual creation, voice, image enhancement, and creative experimentation.
My experience includes content for Reels, TikTok, digital advertising, promotional videos, institutional content, and TV, adapting format, pacing, resolution, and visual language to each platform and audience. Through technical editing, sound design, image treatment, animation, and post-production, I deliver professional, platform-ready audiovisual content for both digital and traditional media.
For two exhibitions developed with SLL Concepts for the Museum of Liège — Leonardo da Vinci and Cleopatra — I worked across different stages of the creative and audiovisual production process, combining historical and visual research, concept development, design, video editing, animation, and post-production.
For the Leonardo da Vinci exhibition, I conducted extensive historical research to understand the period, artistic references, inventions, and visual language of the Renaissance. Based on this research, I developed the visual concept, created and refined assets using AI and Adobe tools, and produced the animations in After Effects. As the content was designed for projection onto physical surfaces, the compositions required precise dimensions, positioning, timing, and projection testing.
For Cleopatra, historical research was also an essential part of the process, helping me explore different representations of Cleopatra across history, literature, art, and cultures. I created four audiovisual compilations and two animated typography pieces, working with archival references, multilingual texts, editing, motion design, typography animation, composition, and pacing. In both projects, my role combined historical research, creative storytelling, and technical execution, transforming historical material into engaging audiovisual experiences adapted to the physical exhibition environment.
